Ibsen

Although Henrik Ibsen is secure in his reputation as a major dramatist and intellectual figure, little attention has been given to the connections between his dramatic practice and his plays powerful impact on audience and culture. Michael Goldman examines how the play attacks us in the theater and the means by which Ibsen assaults the audiences expectations and opinions. Focusing on specific features of Ibsens dramaturgy that have been overlooked or underappreciated, Goldman looks at the plays unsettling dialogue and driving plots, then explores the impacts on both character and audience when Ibsens powerful vision takes effect. How does Ibsen illustrate a characters inner turmoil, and how is this quality realized by the actor on stage? What is the spine--the single, definitive phrase used by actors to pinpoint the dominant motivation-in A Dolls House? How does the stage design in The Wild Duckarouse the audiences curiosity? With considerable attention to these plays as well as The Master Builderand Peer Gynt,Goldman examines the characteristic moments of crisis and the striking similarities of gesture and language from play to play. Goldman discusses every aspect of Ibsens art, from language, psychological motive, and narrative construct, to approaches used by actors and directors in play productions.

Author: Michael Goldman

Language: English

Edition: 0

Binding: Paperback

Pages: 160

Publisher: Columbia University Press

Publication Date: 1998-12-15