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A Third Face: My Tale of Writing, Fighting, and Filmmaking
A Third Face: My Tale of Writing, Fighting, and Filmmaking Samuel Fuller 0375401652 9780375401657 In his new book, Samuel Fuller, independent director-producer extraordinaire, tells the story of his life, a life that spanned most of the twentieth cen
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A Third Face: My Tale of Writing, Fighting, and Filmmaking by Samuel Fuller

In his new book, Samuel Fuller, independent director-producer extraordinaire, tells the story of his life, a life that spanned most of the twentieth century. His twenty-nine tough, gritty pictures made from 1949 to 1989 set out to capture the truth of war, racism, and human frailties, and incorporate some of his own experiences. He writes of his years in the newspaper businessselling papers as a boy on the streets of New York, working for HearstsNew York Journal American, first as a copyboy, then as personal runner for the famous Hearst editor in chief Arthur Brisbane. His filmPark Rowwas inspired by his years as a reporter for theNew York Evening Graphic, where his beat included murders, suicides, state executions, and race riotshe scooped every other New York paper with his coverage of the death by drug overdose of the legendary Jeanne Eagels. Fuller writes about hitchhiking across the country, seeing America firsthand at the height of the Great Depression. He writes of his years in the army . . . fighting with the first infantry division in World War II, called the Big Red One . . . on the front lines during the invasion of North Africa and Sicily, and landing on Omaha Beach on D Day, June 6, 1944. These experiences he later captured in his hugely successful picturesThe Big Red One,The Steel Helmet, andMerrills Marauders, which was based on the true story of a three-thousand-man infantry that fought behind enemy lines in Burma in 1944. Fuller talks about directing his first picture (he also wrote the script),I Shot Jesse James. . . and how, as a result, he was sought after by every major studio, choosing to work for Darryl Zanuck of Twentieth Century Fox. We see him becoming one of the most prolific, independent-minded writer-directors, turning out seven pictures in six years, among themPickup on South Street,House of Bamboo, andChina Gate. He writes about makingUnderworld U.S.A., a movie that shows how gangsters in the 1960s were no longer seen as thugs but as respected tax-paying executives . . . about the making of the movieShock Corridorabout a journalist trying to solve a murder in a lunatic asylumwhich exposed the conditions in mental institutions . . . and aboutWhite Dog(written in collaboration with Curtis Hanson), a film so controversial that Paramounts then studio heads, Jeffrey Katzenberg and Michael Eisner, refused to release it. Honest, open, engrossing. A must for anyone interested in movies.

Author: Samuel Fuller

Language: English

Edition: First Edition Stated

Binding: Hardcover

Pages: 608

Publisher: Knopf

Publication Date: 2002-11-05

Our Price: $10.26

Quantity:1
ISBN: 0375401652


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Samuel Fuller (Edition: First Edition Stated) Hardcover


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